He fell into relative obscurity when ragtime fell out of favor in the 1920s, and he lived the next three decades out of the public and musical eye until the end of the 1940s, when his music started coming back into fashion. He went on to write "The Bohemia," "American Beauty," "Alaskan Rag," and "Excelsior Rag." His eight-bar phrases gave his music a structure and character different from that of Joplin or Scott, and he thrived for most of the teens. Joplin took him under his wing and secured him a publisher for the piece, and Lamb's reputation was more or less made from that point on. He also had the unique opportunity to get Joplin's own imprimatur, when the two met at a publishing office in New York in 1908 - Lamb later played his "Sensation Rag" for the man who had inspired him, and got his blessing and endorsement for it. When he started writing music, in 1896, it was in that style, and he ended up authoring a dozen pieces that immortalized him musically. He was also a serious fan of Scott Joplin and, as he started to compose, found ragtime as Joplin originated it to be a very natural fit for him by preference and temperament. He could sight read and, in fact, was very much a formal musician in the sense that he did not improvise at the piano. Lamb came from a musical family and had sisters who had formal training, and it was from them that he learned piano and composition. What's more, he maintained a "day job" in the textile business that kept him busy enough so that he was never a "star" in the manner of Joplin or Scott, and seldom made the effort to cultivate a following - he was a reluctant giant in his field. Louis roots of Joplin or Scott, or the Louisiana birthplace of Jelly Roll Morton, as it was possible to be. He came from a place as far removed from the St. Above all, have fun with the genre's syncopated, “ragged” melodies.Joseph Francis Lamb occupied a unique niche in the history of jazz, as one of the three "fathers of ragtime," alongside Scott Joplin and James Scott - but unlike the other two, Lamb was white, and came from the Northeast (Montclair, NJ, no less), and would seem an unlikely candidate for such a position in history. Fall in love with Fats Waller, Max Morath, and Leon Redbone. Enjoy listening to Jelly Roll Morton’s tunes, and see if you can pick out the ways ragtime influenced his early jazz work. His work is arguably unmatched by any other ragtime artist. If you’re just starting out with the history of ragtime, begin with Scott Joplin. You might recognize the names on here as well, like Scott Joplin, who is known as the “King of Ragtime.” You’ll find many of Joplin’s most popular works on this list, including “Maple Leaf Rag,” “The Entertainer” and “Pineapple Rag.” Other well-known musicians with famous ragtime songs include James Scott (“Frog Legs Rag”), Joseph Lamb (“Bohemia Rag”), Eubie Blake (“Charleston Rag”), and Jelly Roll Morton (“King Porter Stomp”). This ragtime songs list includes some of the top ragtime songs of all time. It was primarily composed for solo piano, though there are some guitar ragtime songs floating around. Unlike jazz, ragtime wasn’t improvisational music at all. Ragtime’s golden era was from roughly 1899 to 1915, when it gave way to early jazz. The best ragtime songs are those which capture the magic of the era.
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